Issue 23: Visual Art Against War

23

  • Price: $10
  • Fall 1992
  • ISBN: 1-879691-15-9

  • Contents

  • Rodolfo Hinostroza / “The Benefactor” (translated by Alita Kelley)
  • Robert Appelbaum / “Morte d’auteur”
  • Jonathan Baumbach / “Violence & Eros”
  • Elizabeth Hay / “Back to Yellowknife”
  • Trace Earl Reddell / “transcan full of fishheads”
  • Larry Fondation / “Blood Relations”
  • Elizabeth Cook / “Phallacies”
  • Najah Al Tikriti/Abdullah Al Maaini / “A Textual Experience: One Rose, Two Roses, Th . . . By an impossible sap, a mysterious fluid, evasive voids, a shrouded sun under a sobbing wrap, sleeping pills, Abdullah Al Maaini, etc. .”
  • Kenneth Bernard / “Prolegomena”
  • Michael Keever / from “Passing Off” (as told to and translated by Sotiris Evangelakis)
  • Mark Amerika / “Amerika at War: The Mini-series”
  • Wendy Walker / “Swan Hunger”
  • Lynn Luria-Sukenick / “Shore Dinner: An Invention for Tape and Invention”
  • Mike Mee / “Narrative/Dialogue/Voice: December, August July, 1969”
  • Jim Miller / “City of Angels”
  • D. E. Steward / “Augusto”

  • Reviews

  • Harold Brodkey, The Runaway Soul, reviewed by Harold Jaffe

  • Art (Visual Art Against War)

  • Ken Bryan / “word sculptures”
  • Jaune Quick-To-See Smith /”Paper Dolls For a Post-Columbian World With Ensembles Contributed by the U. S. Government”
  • Christer Themptander / three photomontages
  • J. D. Crowe / “Iraqnophobia”
  • Contributors’ Notes
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