{"id":451,"date":"2013-09-02T03:14:38","date_gmt":"2013-09-02T03:14:38","guid":{"rendered":"http:\/\/fictioninternational.sdsu.edu\/wordpress\/?page_id=451"},"modified":"2013-09-02T03:14:38","modified_gmt":"2013-09-02T03:14:38","slug":"sacrifice","status":"publish","type":"page","link":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/catalog\/issue-45-about-seeing\/sacrifice\/","title":{"rendered":"Sacrifice"},"content":{"rendered":"<h3>By Harold Jaffe<\/h4>\n<p> <b>All rights reserved.<\/b><br \/>\n<\/p>\n<p>(<i>The Sacrifice<\/i> directed by Andrei Tarkovsky, 1986)<\/p>\n<p><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Barren windswept island off the south coast of Sweden. Ingmar Bergman landscape.<br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Bergman&#8217;s old colleague, Erland Josephson, plays Alexander, pensioner, former writer with an unfaithful wife and young child, who is compelled to sacrifice.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>His wife and child? <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Himself.<br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;His sole option.<br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The diseased earth is in the throes of dying. Retreat or immersion. No half-measures.<br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Retreat is illusory, immersion is sacrifice.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Does his sacrifice bear fruit?<\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;He lies with the good &#8220;witch,&#8221; devotee of Mother Mary. He sets fire to his house. He is forcibly restrained.<br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Transported to the institution where suffering is imposed. Legislated torment.<br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;But the war that would holocaust the diseased earth is nullified. Time backs up. Literally.<br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Temporary reprieve.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Why &#8220;temporary?&#8221; <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Open your eyes.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Does it matter that Alexander is a failed writer? <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Not failed. Ceased to write.<br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The joy\u2014where there is joy\u2014is in the art-making. If that dies nothing remains but retreat or sacrifice.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Sacrifice imitates Christ whether or not it is fruitful? <\/i><br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Didn&#8217;t Artaud, Sade, even Hitler, sacrifice in their own ways? <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Not Hitler.<br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The other two\u2014arguably.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Is the diseased earth irreparable? <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;You ask me or Tarkovsky?<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Tarkovsky. <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Man and his institutions will not cease to filthy o&#8217;er the earth. Profiting all the while.<br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The diseased earth can be cleansed solely by God&#8217;s grace.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Sacrifice? <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Though not animals, not trees.<br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Not humans, unless the sacrifice is willed, chosen.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Did the &#8220;chosen people&#8221; will their &#8220;sacrifice&#8221;? <\/i><br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Their holocaust? <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The Jews?<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>The Jews. <\/i><\/p>\n<p>I think of Mahler, Jew despite his baptism.<br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Mahler had the birds killed outside his dacha to claim the silence he needed to compose<i> Song of the Earth.<\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;That was the rumor.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Why bring up Mahler? <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;He comes to me.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>What happens if one&#8217;s sacrifice amounts to nothing? <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Nothing happens.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>It is the gesture that vibrates irrespective of results. <\/i><br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Even if the gesture costs your life.<br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;But what if it costs the lives of others?<\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>I think of John Brown&#8217;s raid on Harpers Ferry\u2014two of his sons killed. Brown hanged <\/i><i>for treason. <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Weird John Brown.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&#8220;Weird&#8221; is Melville&#8217;s word, meaning<i> fated<\/i>.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;In Melville&#8217;s poem the hanging shroud covers John Brown&#8217;s face but not his &#8221;streaming beard&#8221; which juts sideways foretelling the meteoric energy of the anti- slave movement to come.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Slavery has not been abolished. It is everywhere in numberless guises. <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Yes.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>It is the process not the result we are discussing.<\/i><br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Yours is a bleak view of the world. <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Made world.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The world itself\u2014what remains of it\u2014is a blessing reviled.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Old Testament. <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>You sound like weird John Brown. <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Without sacrifice.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Why without? <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I could have made my opportunity but hesitated.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Back in the day you considered joining the Weather Underground. <\/i><br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Considered becoming a &#8220;human shield&#8221; in the Palestinian territories. <\/i><br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Considered joining the flotilla delivering supplies to blockaded Gaza. <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I grieved from a safe distance.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>You know about Pasolini&#8217;s homosexual relations with rough young boys in the Rome <\/i><i>ghettos.<\/i><br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Maybe you heard the odd story? <\/i><br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>That he deliberately provoked the boys to beat and murder him so that the debased photo with his face battered, trousers at his knees, sex exposed, would testify to our <\/i><i>squalid globe.<\/i><br \/>\n<br \/><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Presumably he envisioned it as a sacrificial, or better, shamanic act. <\/i><i>Weird story, but in Pasolini&#8217;s instance, not implausible. <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I admire Pasolini however he choreographed his death\u2014if that&#8217;s what he did.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>How does one distinguish narcissism from sacrifice? <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;They can be indistinguishable.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>You are a writer sans frontiere. <\/i><br \/>\n<br \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Doesn&#8217;t your writing count? <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Count?<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>As a species of sacrifice? <\/i><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I don&#8217;t know.<\/p>\n<h4><em>Harold Jaffe has published 20 books of fiction, docufiction, novels, and essays. His most recent volume is a collection of essays and quasi-essays called <\/em>Revolutionary Brain<em>.<\/h4>\n<h4><em>This story is included in Issue #45: <\/em>About Seeing. <em>Copyright &copy; 2012 by <\/em>Fiction International.<em> Authors of individual works retain copyright, with the restriction that subsequent publication of any text be accompanied by notice of prior publication in <\/em>Fiction International. <\/em><em>Please contact the <a href=\"mailto:hjaffe@mail.sdsu.edu\">editor<\/a> for reprinting information.<\/em><\/h4>\n<p>Purchase <em>About Seeing<\/em> from <a href=\"http:\/\/www.amazon.com\/Fiction-International-45-About-Seeing\/dp\/0931362113\" target=\"blank\">Amazon.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Harold Jaffe All rights reserved. (The Sacrifice directed by Andrei Tarkovsky, 1986) &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Barren windswept island off the south coast of Sweden. Ingmar Bergman landscape. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Bergman&#8217;s old colleague, Erland Josephson, plays Alexander, pensioner, former writer with an unfaithful wife and young child, who is compelled to sacrifice. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;His wife and child? &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Himself. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;His sole option. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":54,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-451","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/comments?post=451"}],"version-history":[{"count":1,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/451\/revisions"}],"predecessor-version":[{"id":452,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/451\/revisions\/452"}],"up":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/54"}],"wp:attachment":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/media?parent=451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}