{"id":343,"date":"2013-09-01T05:37:29","date_gmt":"2013-09-01T05:37:29","guid":{"rendered":"http:\/\/fictioninternational.sdsu.edu\/wordpress\/?page_id=343"},"modified":"2022-10-08T02:06:26","modified_gmt":"2022-10-08T02:06:26","slug":"issue-27-political-correctness","status":"publish","type":"page","link":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/catalog\/issue-27-political-correctness\/","title":{"rendered":"Issue 27: Political Correctness"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"cover\" src=\"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-content\/uploads\/2013\/08\/27.jpg\" alt=\"27\" width=\"317\" height=\"450\" \/><\/p>\n<p><b>SOLD ONLY @ SDSU CAMPUS<\/b><\/p>\n<p>Spring 1995<\/p>\n<p>ISBN\u00a01-879691-31-0<\/p>\n<p><b>Contents<\/b><\/p>\n<p>Editor\u2019s Foreword<\/p>\n<p>Lucy Jane Bledsoe \/ \u201cMy Censorship Phase: Notes From a Brutally Honest Nice Girl\u201d<\/p>\n<p>Alain Robbe-Grillet \/ \u201cResponse to Political Correctness Censure\u201d (translated by Ben Stoltzfus)<\/p>\n<p>Nikita \/ \u201cSerial\/Cereal\u201d<\/p>\n<p>Forum on Political Correctness: Noel Peattie \/ Joan Drury \/ Alien Ginsberg \/ Rochelle Ratner \/ Curtis White \/ Nicole Brossard \/ Jerry Farber \/ Joe Napora \/ Joan Lindgren \/ John A. Williams \/ Nina Silver \/ Fred Moramarco \/ Sanda Agalidi \/ Peter Michelson \/ Stephen-Paul Martin \/ Jon Carlson \/ Geoffrey Cook \/ Gerald J. Butler \/ Lawrence Ferlinghetti<\/p>\n<p>Kenneth Bernard \/ \u201cThe Third Kiss, or Cobra Woman Meets the Bag Lady\u201d<\/p>\n<p>Christy Sheffield Sanford \/ \u201cBlue Lust Diagrams\u201d<\/p>\n<p>Richard Grossman \/ \u201cThe Missionary Position in the Odes of Keats\u201d<\/p>\n<p>Jim Elledge \/ \u201cLooking at Photographs w\/ Krystal Dilithium\u201d<\/p>\n<p>Stephen D. Gutierrez \/ \u201cThe World Came Crashing Down On My Wife; or, Goodnight, Se\u00f1orita, Home Again, Being An Exploration Of Certain Intense Emotions Having To Do With Me And My Wife, Culled From An Old Story That Went Bankrupt And Went Like This, Something, A Footnote It Was, Experimental Jive, Horseshit, Mishmash, All Right?\u201d<\/p>\n<p>Kelly Mayhew \/ \u201cControlling Desire: Feminist Constructions of Sexuality\u201d<\/p>\n<p>Jill St. Jacques \/ \u201cI Want to Be a Transsexual\u201d<\/p>\n<p>Stephen-Paul Martin \/ \u201cThe Legal System on Trial\u201d<\/p>\n<p>Bayard Johnson \/ \u201cTaking Out The Trash\u201d<\/p>\n<p>R. Sebastian Bennett \/ \u201cAlex Unit Four\u201d<\/p>\n<p>Mira-Lani 0glesby\/ \u201cSwift County Homemakers\u2019 Club Contest Submission: Why I Love Glory \u00ae Paper Towels\u201d<\/p>\n<p>Jerry Farber \/ \u201cGolden Grove Unweaving (and not a moment too soon)\u201d<\/p>\n<p>Ted Pelton \/ \u201cFrom Combaria\u201d<\/p>\n<p>Cris Mazza \/ \u201cExcerpt from Afraid\u201d<\/p>\n<p>Jim Miller \/ \u201cHere We Are Now, Entertain Us\u201d<\/p>\n<p>Jascha Kessler \/ \u2018Two Political Encounters\u201d<\/p>\n<p>Larry Fondation \/ \u201cMake-Up\u201d<\/p>\n<p>Harold Jaffe \/ \u201cCamo, Dope &amp; Videotape\u201d<\/p>\n<p><b>Art<\/b><\/p>\n<p>Joel Lipman \/ four images<\/p>\n<p>Joseph T. L. Keenan \/ \u201cDick Chair\u201d<\/p>\n<p>Tuli Kupferberg \/ two images<\/p>\n<p>Norman Conquest \/ \u201cTrick Question No. 4\u201d<\/p>\n<p>Sheila Pell \/ \u201cCorrective Perspective\u201d<\/p>\n<p>Ken Bryan \/ \u201cBack Door\u201d<\/p>\n<p>Lawrence Ferlinghetti \/ \u201cC\u2019est La Guerre\u201d<\/p>\n<p>Contributors\u2019 Notes<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SOLD ONLY @ SDSU CAMPUS Spring 1995 ISBN\u00a01-879691-31-0 Contents Editor\u2019s Foreword Lucy Jane Bledsoe \/ \u201cMy Censorship Phase: Notes From a Brutally Honest Nice Girl\u201d Alain Robbe-Grillet \/ \u201cResponse to Political Correctness Censure\u201d (translated by Ben Stoltzfus) Nikita \/ \u201cSerial\/Cereal\u201d Forum on Political Correctness: Noel Peattie \/ Joan Drury \/ Alien Ginsberg \/ Rochelle Ratner [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":47,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"issue_page.php","meta":{"footnotes":""},"class_list":["post-343","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/comments?post=343"}],"version-history":[{"count":7,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/343\/revisions"}],"predecessor-version":[{"id":2633,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/343\/revisions\/2633"}],"up":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/47"}],"wp:attachment":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/media?parent=343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}