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SOLD ONLY @ SDSU CAMPUS<\/strong><\/p>\n Fall 1992<\/p>\n ISBN\u00a01-879691-08-6<\/p>\n Contents<\/b><\/p>\n Inscribing the Body: An Introduction<\/p>\n Jennifer Lane \/ \u201cGirl Talk\u201d<\/p>\n Barbara O\u2019Dair and Abby Tallmer \/ \u201cSex Premises\u201d<\/p>\n Dion Farquhar \/ \u201cPure Porn\u201d<\/p>\n Forum<\/strong><\/p>\n Edith Wharton \/ from \u201cBeatrice Palmato\u201d<\/p>\n Marc Cholodenko \/ from \u201cThe Story of Vivant Lanon\u201d (translated by John Satriano)<\/p>\n Lisa Duggan, Nan D. Hunter, Carole S. Vance \/ \u201cFalse Promises: Feminist Antipornography Legislation\u201d<\/p>\n Chris Martin \/ Transsexual Interview \/ \u201cWorld\u2019s Greatest Cocksucker\u201d<\/p>\n Matias Viegener \/ \u201cThere\u2019s Trouble in That Body: Queer Fanzines, Sexual Identity and Censorship\u201d<\/p>\n Andrea Slane \/ \u201cUnconventional Weapons\u201d<\/p>\n Ennio Flaiano \/ \u201c1963\u201d (translated by John Satriano)<\/p>\n Marianne Hauser f \u201cScandal at the Bide-A-Wee Nursing Home for Mature Seniors\u201d<\/p>\n Mira-Lani Oglesby \/ \u201cHenry and Ray and the Old Guy in the Wheelchair and Two Cops and Me and Sean Penn\u201d<\/p>\n Kathy Acker \/ from The Fall of the United States, \u201cMurder\u201d<\/p>\n Mel Freilicher \/ \u201cFight the Power: Diseased Pariah News, etc.\u201d<\/p>\n Samuel R. Delany \/ from Citre et Trans<\/p>\n Raymond Federman \/ \u201cOnce Upon a Time in the Grass\u201d<\/p>\n Carole S. Vance \/ \u201cThe Pleasure of Looking: The Attorney General\u2019s Commission on Pornography versus Visual Images\u201d<\/p>\n John Greyson \/ from \u201cThe Making of Monsters: A Musical About Anti-Gay Violence\u201d<\/p>\n Barbara Henning \/ \u201cResum\u00e9\u201d<\/p>\n Karl Keller \/ \u201cWhat It\u2019s Like to Grow Up in Manti, Utah\u201d<\/p>\n Cris Mazza \/ \u201cHesitation\u201d<\/p>\n Joyce Carol Oates \/ from \u201cMartyrdom\u201d<\/p>\n Rob Hardin \/ \u201cStill\u201d<\/p>\n Mark Wisniewski \/ \u201cFull Circle\u201d<\/p>\n Kevin Ray \/ \u201cObvious Advertisement: Robert Duncan and The Kenyon Review\u201d<\/p>\n Mel Freilicher \/ \u201cProlog\u201d<\/p>\n Edward Field \/ \u201cSex in Poetry, A Meditation On My Poem, \u2018Triad\u2019\u201d<\/p>\n Greg Boyd \/ \u201cHorny\u201d<\/p>\n Roy Schneider \/ \u201cPubic Skies\u201d<\/p>\n Richard Kostelanetz \/ \u201cFlirting\u201d<\/p>\n Tom Jurek \/ from Straight Fiction<\/p>\n Stephen-Paul Martin \/ \u201cDouble Bed\u201d<\/p>\n Lyn Butler Oaks \/ \u201cTwins\u201d<\/p>\n Ronald Sukenick \/ \u201cThe Flood\u201d<\/p>\n Jean Mainil \/ \u201cPornography and Academe: Compulsory Introduction\u201d<\/p>\n Ben Marcus \/ \u201cUrinating, A Forceful Endeavor\u201d<\/p>\n Michael Brodsky \/ from * * *<\/p>\n Rikki Ducornet \/ \u201cPicotazo and Extravaganza,\u201d from Birdland<\/p>\n Pasquale Verdicchio \/ \u201cCensoring the Body of Ideology: The Films of Pier Paolo Pasolini\u201d<\/p>\n Stephen D. Gutierrez \/ \u201cWartime in Fresno\u201d<\/p>\n Robert Coover \/ from The Adventures of Lucky Pierre, \u201cMan Walking at 24 Frames per Second\u201d<\/p>\n Harold Jaffe \/ \u201cF2M\u201d<\/p>\n Art<\/b><\/p>\n Joel Lipman \/ \u201cJesse Helms\u2019 Body\u201d<\/p>\n Chris Martin \/ \u201cWorld\u2019s Greatest Cocksucker\u201d<\/p>\n Tuli Kupferberg \/ \u201cThe Old Fucks at Home\u201d<\/p>\n M Rat \/ Three Polaroids<\/p>\n Greg Boyd \/ Two Linocuts<\/p>\n Gail Schneider \/ Acrylic on paper<\/p>\n Tuli Kupferberg \/ \u201cSome Kinda Asshole\u201d<\/p>\n Derek Pell \/ from \u201cThe Elements of Style\u201d<\/p>\n Contributors\u2019 Notes<\/p>\n cover design by David Quattrociocchi<\/p>\n","protected":false},"excerpt":{"rendered":" SOLD ONLY @ SDSU CAMPUS Fall 1992 ISBN\u00a01-879691-08-6 Contents Inscribing the Body: An Introduction Jennifer Lane \/ \u201cGirl Talk\u201d Barbara O\u2019Dair and Abby Tallmer \/ \u201cSex Premises\u201d Dion Farquhar \/ \u201cPure Porn\u201d Forum Edith Wharton \/ from \u201cBeatrice Palmato\u201d Marc Cholodenko \/ from \u201cThe Story of Vivant Lanon\u201d (translated by John Satriano) Lisa Duggan, Nan […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":47,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"issue_page.php","meta":{"footnotes":""},"class_list":["post-331","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/331","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/comments?post=331"}],"version-history":[{"count":9,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/331\/revisions"}],"predecessor-version":[{"id":2629,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/331\/revisions\/2629"}],"up":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/47"}],"wp:attachment":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/media?parent=331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}