{"id":313,"date":"2013-09-01T04:59:16","date_gmt":"2013-09-01T04:59:16","guid":{"rendered":"http:\/\/fictioninternational.sdsu.edu\/wordpress\/?page_id=313"},"modified":"2022-10-08T00:45:01","modified_gmt":"2022-10-08T00:45:01","slug":"issue-19-2-aids-art","status":"publish","type":"page","link":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/catalog\/issue-19-2-aids-art\/","title":{"rendered":"Issue 19.2: AIDS Art"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"cover\" src=\"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-content\/uploads\/2013\/08\/19_2.jpg\" alt=\"19_2\" width=\"317\" height=\"450\" \/><\/p>\n<p><strong>SOLD ONLY @ SDSU CAMPUS<\/strong><\/p>\n<p>Spring 1991<\/p>\n<p>ISBN 1-879691-00-0<\/p>\n<p><b>Contents<\/b><\/p>\n<p>D. E. Steward \/ Junio<\/p>\n<p>Rikki Ducornet \/ Janie<\/p>\n<p>Roly Teda \/ Alien<\/p>\n<p>Kenneth Bernard \/ Prolegomena<\/p>\n<p>Wang Meng \/ A Never-Losing Singer<\/p>\n<p>Marianne Hauser \/ \u201cNo Name on the Bullet\u201d<\/p>\n<p>Alberto Moravia \/ The Novel About the Novel:\u00a0<i>Notes<\/i><\/p>\n<p>Kenneth Gangemi \/ Marked Lines; Titles of Chinese Poems; The Chinese Poets<\/p>\n<p>Peter Reid \/ Just the Honeymoon<\/p>\n<p>David Foster Wallace \/ Forever Overhead<\/p>\n<p>Robert Scott \/ El Sendero, Nicaragua<\/p>\n<p>Richard Daniels \/ Complaint<\/p>\n<p>Robert Siegel \/Potiphar\u2019s Wife<\/p>\n<p>Peter Brooker \/Johnny Satin<\/p>\n<p>Eric Basso \/ The Amazing Prosthetic Man<\/p>\n<p>Mike Mee \/ Lev Davidovitch Bronstein, 1879-1940<\/p>\n<p>Ted Gnssman \/ Asturias: my (my) life<\/p>\n<p>Roberta Allen \/ House Hunting<\/p>\n<p>Robert Fox \/ In Search of Social Security<\/p>\n<p>Karen Kevorkian \/ Between the Wasatch and the Oquirrhs<\/p>\n<p>Brian Swann \/ Praxiteles<\/p>\n<p>Peter Cherches \/ A Moot Point<\/p>\n<p>James Gray \/ wHERE is gONE<\/p>\n<p>David Madin \/ excerpt from Tom Green<\/p>\n<p>Richard Lyons \/ Mother and Son<\/p>\n<p>Edward Kleinschmidt \/ Essay: Where Is the Magic in Continuous Hot Water?; Blood Shed<\/p>\n<p>Beth Partin \/ Dateline<\/p>\n<p><b>Reviews<\/b><\/p>\n<p>Richard Kostelanetz \/ The Persistence of Visual Fiction: Tom Phillips\u2019\u00a0<i>The Humument<\/i><\/p>\n<p>Lewis Shiner \/ History as Swiss Cheese: Greil Marcus\u2019\u00a0<i>Lipstick Traces: A Secret History of the 20th Century<\/i><\/p>\n<p><b>Art<\/b><\/p>\n<p>Photomontage: Peter Kennard \/ Of Bread and Guns, News Editing on Northern Ireland, Disappeared Prisoners\u2014Chile, Against Torture<\/p>\n<p>Klaus Staeck \/ The individual is always at the center of things, Hallo Partner, Art is free<\/p>\n<p>Rolf Staeck \/ Ikaris, Made in America, Olympics<\/p>\n<p>The Living With AIDS Project: Kim Abetes \/ Censorship<\/p>\n<p>Diane Neumaier \/ Find a Cure<\/p>\n<p>Contributors\u2019 Notes<\/p>\n<p>Front cover by Peter Kennard, \u201cWarhead\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SOLD ONLY @ SDSU CAMPUS Spring 1991 ISBN 1-879691-00-0 Contents D. E. Steward \/ Junio Rikki Ducornet \/ Janie Roly Teda \/ Alien Kenneth Bernard \/ Prolegomena Wang Meng \/ A Never-Losing Singer Marianne Hauser \/ \u201cNo Name on the Bullet\u201d Alberto Moravia \/ The Novel About the Novel:\u00a0Notes Kenneth Gangemi \/ Marked Lines; Titles [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":47,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"issue_page.php","meta":{"footnotes":""},"class_list":["post-313","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/comments?post=313"}],"version-history":[{"count":6,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/313\/revisions"}],"predecessor-version":[{"id":2589,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/313\/revisions\/2589"}],"up":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/47"}],"wp:attachment":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/media?parent=313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}