{"id":301,"date":"2013-09-01T04:40:45","date_gmt":"2013-09-01T04:40:45","guid":{"rendered":"http:\/\/fictioninternational.sdsu.edu\/wordpress\/?page_id=301"},"modified":"2022-10-08T00:41:31","modified_gmt":"2022-10-08T00:41:31","slug":"issue-17-1","status":"publish","type":"page","link":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/catalog\/issue-17-1\/","title":{"rendered":"Issue 17.1"},"content":{"rendered":"<p align=\"center\"><img loading=\"lazy\" decoding=\"async\" class=\"cover\" src=\"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-content\/uploads\/2013\/08\/17_1.jpg\" alt=\"17_1\" width=\"317\" height=\"450\" \/><\/p>\n<p><b>SOLD OUT<\/b><\/p>\n<p>Spring 1987<\/p>\n<p><strong>Contents<\/strong><\/p>\n<p>James Matthews \/ \u201cFrom Poisoned Wells\u201d<\/p>\n<p>Gerald Vizenor \/ \u201cBound Feet\u201d<\/p>\n<p>Michel Serres \/ \u201cChina Loam\u201d<\/p>\n<p>Phyllis Barber \/ \u201cTangles\u201d<\/p>\n<p>Thomas Glynn \/ \u201cApartment\u201d<\/p>\n<p>Georges Perec \/ \u201cRorschash\u201d<\/p>\n<p>Lynn Luria-Sukenick \/ \u201cThe Man with the Blues Guitar: A Progression on Poetry and Music\u201d<\/p>\n<p>Derek Pell \/ \u201cThe Topsy-Turvy \u201cWorld of Edward Hopper\u201d<\/p>\n<p>Gary Thompson and Anna Nowak \/ \u201cAn Interview with Tadeusz Konwicki\u201d<\/p>\n<p>Melissa Lentricchia \/ \u201cThe Golden Robe\u201d<\/p>\n<p>Kenneth Bernard \/ \u201cQuestion and Answer\u201d<\/p>\n<p>Geoffrey Green \/ \u201cA Flood of Memories\u201d<\/p>\n<p>Mark Leyner \/ \u201cmy cousin, my gastroenterologist\u201d<\/p>\n<p>Mridula Garg \/ \u201cWithout Love in Bhopal\u201d<\/p>\n<p>Rodolfo Torres \/ \u201cIn the Ruins of Tundavala\u201d \u201cExecution\u201d<\/p>\n<p>Michael Krekorian \/ \u201cAvedis\u201d<\/p>\n<p>Bessie Head \/ \u201cThe Coming of the Christ-Child\u201d<\/p>\n<p>Richard Kostelanetz \/ \u201cStories\u201d<\/p>\n<p>Craig Padawer \/ \u201cCause and Effect\u201d<\/p>\n<p>Gene Wolfe \/ \u201cParkroads \u2014 A Review\u201d<\/p>\n<p>Jonathan Franzen \/ \u201cFacts\u201d<\/p>\n<p>Alain Arias-Mission \/ \u201cThe \u2018New Novel\u2019 and TV Culture: Reflections on Walter Abish\u2019s\u00a0<i>How German Is It?<\/i>\u201c<\/p>\n<p>Thomas S. Donahue \/ \u201cHow to Read Black English Critically: A Guide\u201d<\/p>\n<p><b>Reviews<\/b><\/p>\n<p><i>Bloods<\/i>\u00a0\/ reviewed by John A. Williams<\/p>\n<p>Dana P. Polan \/ on Rosalind E. Krauss<\/p>\n<p><i>Formalism and Marxism and Reception Theory: A Critical Introduction<\/i>\u00a0\/ reviewed by Gerald J. Butler<\/p>\n<p><strong>Art<\/strong><\/p>\n<p>Liz Sisco \/ \u201cBorder Ordure\u201d<\/p>\n<p>David Avalos \/ \u201cThe Border: An International Fiction\u201d<\/p>\n<p>Cover: Undocumented Mexican Woman, Solana Beach, California, 1984. Photograph by Elizabeth Sisco<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SOLD OUT Spring 1987 Contents James Matthews \/ \u201cFrom Poisoned Wells\u201d Gerald Vizenor \/ \u201cBound Feet\u201d Michel Serres \/ \u201cChina Loam\u201d Phyllis Barber \/ \u201cTangles\u201d Thomas Glynn \/ \u201cApartment\u201d Georges Perec \/ \u201cRorschash\u201d Lynn Luria-Sukenick \/ \u201cThe Man with the Blues Guitar: A Progression on Poetry and Music\u201d Derek Pell \/ \u201cThe Topsy-Turvy \u201cWorld of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":47,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"issue_page.php","meta":{"footnotes":""},"class_list":["post-301","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/comments?post=301"}],"version-history":[{"count":5,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/301\/revisions"}],"predecessor-version":[{"id":2584,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/301\/revisions\/2584"}],"up":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/47"}],"wp:attachment":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/media?parent=301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}