{"id":2229,"date":"2020-09-23T20:34:22","date_gmt":"2020-09-23T20:34:22","guid":{"rendered":"http:\/\/fictioninternational.sdsu.edu\/wordpress\/?page_id=2229"},"modified":"2022-10-08T01:11:30","modified_gmt":"2022-10-08T01:11:30","slug":"issue-53-algorithm","status":"publish","type":"page","link":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/issue-53-algorithm\/","title":{"rendered":"Issue 53: Algorithm"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-content\/uploads\/algorithm-cover-1013x1024.jpeg\" alt=\"\" width=\"376\" height=\"380\"\/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Fall 2020<\/p>\n\n\n\n<p class=\"has-text-align-center\">ISBN 978-0-931362-18-7<\/p>\n\n\n\n<p class=\"has-text-align-center\">Purchase <em>Algorithm<\/em> from <a href=\"https:\/\/www.amazon.com\/Fiction-International-53-Algorithm-Various\/dp\/0931362180\">Amazon.com<\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Text and Art<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">em fowler | Special Delivery<\/p>\n\n\n\n<p class=\"has-text-align-center\">Jaiden Dokken | Compliancy<\/p>\n\n\n\n<p class=\"has-text-align-center\">Brett Stout | Sometimes a Lunatic, Mostly a Heretic<\/p>\n\n\n\n<p class=\"has-text-align-center\">S. Bennett | Endos Fifty<\/p>\n\n\n\n<p class=\"has-text-align-center\">Carrie Seidler | An Invocation of Glory<\/p>\n\n\n\n<p class=\"has-text-align-center\">Ron Burch | The Name of the Dog is Death<\/p>\n\n\n\n<p class=\"has-text-align-center\">Rosalind Goldsmith | What Is -?<\/p>\n\n\n\n<p class=\"has-text-align-center\">Robert J. Cross | Datagrid<\/p>\n\n\n\n<p class=\"has-text-align-center\">Eric Blix | Heterogeneous Nothing<\/p>\n\n\n\n<p class=\"has-text-align-center\">Charles Joseph Albert | The Copy<\/p>\n\n\n\n<p class=\"has-text-align-center\">Kon Markogiannis | Grafik 15<\/p>\n\n\n\n<p class=\"has-text-align-center\">Toby Olson | Nora&#8217;s Research Club<\/p>\n\n\n\n<p class=\"has-text-align-center\">Kathleen Heil | If Lost, Please Call<\/p>\n\n\n\n<p class=\"has-text-align-center\">Marilyn Stablein | Sequence<\/p>\n\n\n\n<p class=\"has-text-align-center\">Barbara Lock | The Toxicant<\/p>\n\n\n\n<p class=\"has-text-align-center\">Text Greshan | Nikki<\/p>\n\n\n\n<p class=\"has-text-align-center\">D. Harlan Wilson | Velvet Sunshine<\/p>\n\n\n\n<p class=\"has-text-align-center\">Alex Checkovich | &#8217;71&#8217;s<\/p>\n\n\n\n<p class=\"has-text-align-center\">Ngozi Oparah | Swallow<\/p>\n\n\n\n<p class=\"has-text-align-center\">Fabio Tasso | Reproduction<\/p>\n\n\n\n<p class=\"has-text-align-center\">KKUURRTT | Advanced Praise<\/p>\n\n\n\n<p class=\"has-text-align-center\">Kenneth Calhoun | The White Woman<\/p>\n\n\n\n<p class=\"has-text-align-center\">Ben Miller | it all melts down to this: a novel in timelines (chapter 17)<\/p>\n\n\n\n<p class=\"has-text-align-center\">Stephen-Paul Martin | The Phantom Zone<\/p>\n\n\n\n<p class=\"has-text-align-center\">Robert Boucheron | The Streckfuss-Hamadi Algorithm<\/p>\n\n\n\n<p class=\"has-text-align-center\">Cassandra Passarelli | Fifty-One Rolls<\/p>\n\n\n\n<p class=\"has-text-align-center\">Dan Moreau | Find X<\/p>\n\n\n\n<p class=\"has-text-align-center\">Matthew James Babcock | Forms I &amp; II<\/p>\n\n\n\n<p class=\"has-text-align-center\">Kevin Cocozello | Why I Write 1.0<\/p>\n\n\n\n<p class=\"has-text-align-center\">Hannah Kauders | A Pragmatic Analysis of the Subjunctive Mood in a Breakup Letter<\/p>\n\n\n\n<p class=\"has-text-align-center\">Harold Jaffe | Dada<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fall 2020 ISBN 978-0-931362-18-7 Purchase Algorithm from Amazon.com Text and Art em fowler | Special Delivery Jaiden Dokken | Compliancy Brett Stout | Sometimes a Lunatic, Mostly a Heretic S. Bennett | Endos Fifty Carrie Seidler | An Invocation of Glory Ron Burch | The Name of the Dog is Death Rosalind Goldsmith | What [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2229","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/2229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/comments?post=2229"}],"version-history":[{"count":21,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/2229\/revisions"}],"predecessor-version":[{"id":2625,"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/2229\/revisions\/2625"}],"wp:attachment":[{"href":"https:\/\/fictioninternational.sdsu.edu\/wordpress\/wp-json\/wp\/v2\/media?parent=2229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}